This allows two reader threads to proceed without blocking each other, as can
happen when the butler renders a MIDI track into an RT-safe buffer while the
GUI reads the same MidiModel/Source for visual display.
This also requires a change in the type of reference held by
a MidiAutomationListBinder.
Both the MidiSource and MidiModel have a reference to each other, and it is
important that we avoid circular references to avoid problems with object
destruction. We had been accomplishing this by having the Model hold a
weak_ptr<MidiSource>. However, the lifetime of a MidiSource and its MidiModel
are coincident and there's really no need to use a smart ptr at all. A normal
reference is just fine. However, due to constructors that accept a serialized
state, we cannot use an actual reference (we cannot set the constructor in the
initializer list), so we use a bare ptr instead.
This forces a similar change in MidiAutomationListBinder, which also maintains
a reference to the Source. However, the only purpose of this object is to
ensure that if the Source is destroyed, relevant commands will be removed from
the undo/redo history, and so all that matters here is that the binder connects
to the Destroyed signal of the source, and arranges for its own destruction
when received.
Note that the previous construction of the binder, actually holding a
shared_ptr<MidiSource> would appear have prevented the Destroyed signal from
ever being emitted (from ~Destructible), and so this may also be a bug fix that
allows MidiSources to actually be deleted (the memory object, not the file).
This also requires a change in the type of reference held by
a MidiAutomationListBinder.
Both the MidiSource and MidiModel have a reference to each other, and it is
important that we avoid circular references to avoid problems with object
destruction. We had been accomplishing this by having the Model hold a
weak_ptr<MidiSource>. However, the lifetime of a MidiSource and its MidiModel
are coincident and there's really no need to use a smart ptr at all. A normal
reference is just fine. However, due to constructors that accept a serialized
state, we cannot use an actual reference (we cannot set the constructor in the
initializer list), so we use a bare ptr instead.
This forces a similar change in MidiAutomationListBinder, which also maintains
a reference to the Source. However, the only purpose of this object is to
ensure that if the Source is destroyed, relevant commands will be removed from
the undo/redo history, and so all that matters here is that the binder connects
to the Destroyed signal of the source, and arranges for its own destruction
when received.
Note that the previous construction of the binder, actually holding a
shared_ptr<MidiSource> would appear have prevented the Destroyed signal from
ever being emitted (from ~Destructible), and so this may also be a bug fix that
allows MidiSources to actually be deleted (the memory object, not the file).
This note-mode had no effect on anything at all, at least as far back
as 5.12. There is a note-mode in the GUI which affects the duration of notes
added using the GUI, and that remains in place. It is not clear
if the _percussive member of Evoral::Sequence ever had any effect on
the actual MIDI event stream the Sequence could generate.
If queue_draw is "frozen", we simply accumulate drawing
requests in a (union) rectangle, and when finally "thawed"
the canvas submits a single redraw request for the entire
accumulated rect.
Although in theory this is all that GTK/GDK does for
draw requests, callgrind reveals significant costs
associated with the actual calltree for GtkWidget::queue_draw_area().
One potential cost is that GDK also maintains a list of
invalidated rectangles in addition to the union, and
for MIDI regions with thousands of notes, this can represent
real overhead. This approach dispenses with the rect list,
since our Canvas drawing model only uses the union rectangle
anyway.
Code within the method was using @param start_time rather than start, which is a modified
value required to generate the correct results.
This comment also contains some logical reordering, optimization and commenting
on this rather complex method.
Note that the value is still defined in Beats (ticks) rather than seconds
which means that the interpolation density is tempo-dependent. This
should still likely change one day.
The tooltip should remain visible until the mouse leaves
the item's bounding box. Also do not start the tooltip
timeout if the item does not have a tooltip.
::start_audio_export() may be called from a background thread
which does not yet have a thread-local TempoMap.
Track::seek() calls ARDOUR::AudioPlaylist::read()
which calls Playlist::regions_touched_locked() which may require
a TempoMap to calculate overage with Temporal::Beats
This fixes mp3 export on Linux/ARM (Raspberry Pi) with
system-wide dynamically linked ffmpeg. Otherwise the there
would be library conflicts with ardour-bundled libz and libcairo.
This allows regions to be correctly imported to their
actual track number now that they are numbered from zero
without any gaps by ptformat, removing the need for a lookup table.
std::upper_bound() was not the correct tool to find the existing point,
it should have been std::lower_bound(). For code consistency, this
change doesn't use either but like ::remove_tempo() and similar methods,
just iterates over the whole list
bugfix: changing the FA state can overwrite the clip's name and color
Some params (like gain) can and should take effect immediately
by directly setting the properties. TRIGGER_DIRECT_SET does that.
But we still, ALSO have to set the ui_state, because when the
triggerbox imports ui_state via update_properties() it will
overwrite your changes.
Said another way: since we use a queued ui_state to set the properties,
you ALWAYS have to set and use the ui_state mechanism, even if you want
to short-circuit the process for specific properties.
Having identified the trigger that will be running at a given transport position, we determine its effective
length (not necessarily its own length) and last start, then "jump" forward to the next-earliest start
point prior to the transport position. This greatly reduces the amount of actual audio processing we
need to do to prepare the trigger to run in sync at the transport position.
This commit also adjusts the targetted transport position by the processor's playback offset, so that
it is correctly prepared to run() once the transport starts again.
Logic errors when using cue-isolated or empty triggers were also fixed.
