Now that both Audio And MIDI tracks support all three record
modes. Monitoring should be consistent. When recording
"Sound on Sound" does cue monitoring, while "layered" (opaque).
and "non-layered" monitors only the input.
Two differences remain: (1) when not recording MIDI tracks still
monitor both Input and Disk (unless Non-layered is set), and
a final special case is that MIDI tracks always monitor input
as fallback. the latter ties in with (2) audio tracks can
use hardware monitoring.
This fixes an issue when switching formats.
ExportFormatDialog::update_selection iterates e.g. WAV BWV.
If BWV was selected and a user selects WAV the following happpens
1. WAV is selected
2. BWV is deselected
3. Since BWF and WAV are the same format, ExportFormatManager
deselects WAV
This fixes a bug introduced in d06a0d9c9d. The MIDI data
has to be written first, otherwise the CC-event do not exit
and MidiModel::source_interpolation_changed() crashes.
There were many logical errors in the previous implementation. This one is
simpler to read, and appears to work much better.
It also allows the caller to specify the quarter-note subdivision to use when
generating the grid, rather than choosing only between some bar modulo or
quarter notes.
It can happen that the main AlsaAudioBackend::_device_reservation
is still busy while I/O devices are set. In this case a
dedicated AlsaDeviceReservation needs to be used which can fail
silently.
A common example is disconnecting a USB device while it is in
use. The Halted signal can show the session dialog, which calls
set_input_device_name before the device reservation of the
unplugged device terminated.
ALSA backend modified the internal state when different devices
were used, re-assigning one (usually input-device) to "None"
when it's resampled. This lead to EngineHints not matching the
EngineState, and autostart was disabled, and a dialog
"Engine I/O device has changed since you last opened this session."
Archiving creates a dedicated mono file for each Source.
When the original session has (embedded) stereo files, the
channel needs to be temporarily set to 0.
introducing a new time signature that uses non-quarter notes as the denominator
will move the beat position a given BBT time (since the middle "B" of BBT
refers to "beats" given by the denominator, not quarters).
