omega can be computed from Beat or superclock duration. This gives rise to
different units for omega, and we must use the correct value in a given
context.
This commit also changes the way that the audio time omega is computed during
TempoMap::reset_starting_at()
Rampable only existed to provide exclusive access to ::set_end() for the
TempoMap. More idiomatic C++ but now that _type has also gone away, so has
::set_ramped() and it really was not worth keeping it around.
Ramped/Constant is really a function of start/end note_types_per_minute. Having
a separate member is really just caching it and leads to errors or risk thereof.
Temporal::most_recent_engine_sample_rate is used in performance-critical code so shouldn't be accessed via a 'get()' function. But (via the TEMPORAL_SAMPLE_RATE #define) it does get accessed outside of libtemporal and therefore needs to get exported.
We were using a given tempo or meter point as part of the metric used when
recomputing its position. In fact, the metric should be only use the
tempo/meter immediately preceding the given point.
It is more useful to get the actual TempoPoint than just the Tempo
that we discover.
Aside: it would be awesome to understand how to use boost::intrusive to get the
next tempo point directly from the tempo hook.
This commit leaves two issues outstanding:
1. unclear/ugly semantics for drag operations that reset the GUI thread's tempo map to the writable copy
2. undo/redo for the tempo map
These will be addressed in future commits
std::upper_bound() was not the correct tool to find the existing point,
it should have been std::lower_bound(). For code consistency, this
change doesn't use either but like ::remove_tempo() and similar methods,
just iterates over the whole list
We do not want a value as large as the previous one, which limits the time
range that can be represented in 62 bits unnecessarily. The new value is
9 times smaller than the previous value, and loses only 384000 as a significant
factor.
This commit also switches to using an (inline) accessor for superclock_ticks_per_second,
making it possible in debug/testing phases to spot early/illegal uses of the value.
Now using a globally-scoped static variable which is updated by the
AudioEngine whenever an SR change occurs. Defaults to 48kHz and can
be used even before there is a backend.
This just uses the old Evoral BeatTest. Some of the tests needed amending
because temporal uses rint() to convert between float and int, not just
a cast.
THe length of a Source(File) is always measured from its start. In this sense,
the length is like a position on the timeline, which is a duration with an
implicit origin, or a Region start, also a duration with an implicit origin (in
that case the start of the Source). There is no good reason for using
a timecnt_t for this value, because the position component of a timecnt_t
(the origin for the duration) is implicit and always zero. So we make
this property into a timepos_t, and include a number of asserts() to check
for common possible coding errors related to the time domain
